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Gang, I should probably create a how-to eBook including this stuff and offer it as a freebie to entice you to sign up for my email list (which doesn’t exist yet). Maybe I will some day, but I just want to share this with you now, no strings attached. Fair enough?

So far I’ve followed my self-imposed strategy of publishing my debut novel, “Dangerous Dreams – Dream Runners Book One”, as an eBook only, waiting for at least a quarter to respond to readers’ comments and to edit out any residual screw-ups. It’s much easier to respond to these, um, idiosyncrasies with an eBook than with a paperback. Thankfully, generous comments and few screw-ups tell me it’s time. I’m now flirting with creating the paperback.

As in choosing which beauty to use from my fictitious collection of steampunk fountain pens, choosing a print-on-demand vendor or a traditional publisher is a tricky dribble. Sadly, I retired my Mont Blanc when I departed the corporate world forever.

What are the implications, you might ask? Well, even if you aren’t asking, I’m telling you anyway. In short, a lot! My hope is that some of this may be of use to you authors, and maybe just interesting to you, my treasured readers…

For example, questions abound:

  • Do I self-publish through CreateSpace, an Amazon company affiliated with KDP (Kindle Direct Publishing), that now seems to be one-in-the-same, or through some other self-publishing service, or through a more traditional publisher (and agent and editor, and…)?
  • Do I get my own ISBN, that unique “serial number” for each book that endures for the life of the volume (not required for an eBook)?
  • And if so, should I use a free ISBN from Amazon that only allows me to publish from within their ecosystem?
  • Or do I pay a hundred bucks or more to Bowker (the ISBN monopoly, at least here in the US) for each book I publish, giving me more degrees of publishing freedom?
  • Or…?

But all that is beyond the scope of this article. Today, I’m focusing on the more enjoyable task of creating a book cover for print.

So I thought I’d first dabble using CreateSpace’s guidelines.

They offer a useful downloadable template (PDF or png, required file formats) for creating my paperback book cover, including implications I didn’t have to consider with an eBook, such as:

  • Book format (height and width): I chose a standard 5×8″ format as a starting point,
  • Number of pages that will drive the spline width (the part of the book visible when it’s sandwiched between my favorite books by Brad Thor, Vince Flynn, JD Robb, John Sandford, Judy Howard, and Dean Koontz),
  • Full-bleed background images (those that extend past the edges of print boundaries)  and their precise dimensions so as to print perfectly,
  • Awareness of boundaries for text so all text will be legible in the final print version of the cover,
  • Ensuring text does not intrude into the area where the ISBN number and barcode will be printed on the back cover or where the cover will be trimmed,
  • Output must be saved per the POD vendor’s print guidelines. In this case, as a high-quality (print quality) PDF or PNG format (I’m using PDF),
  • And, of course, the actual text itself that does not violate any of these constraints while remaining sharp and legible (including my choice of fonts; FYI, my choice is called “Chalkduster” in PhotoShop).

Fortunately, CreateSpace, as one example of a print-on-demand (POD) vendor, provides a template that makes what might otherwise be a complex and confusing task relatively straightforward.

I’m also blessed to be an experienced PhotoShop user, so I just created image and text layers to fit within the template within PS using the open, duplicate layer, and transform functions. Easy-peasy-mac-n-cheesy.

If you’re not a PS user, I’d suggest you hire someone who is. I’ve found other do-it-yourself cover design programs that work well for eBooks (e.g., Canva) don’t have precise formatting and dimensioning options required for print preparation. At least I don’t think so.

The key here is not only the look and feel of your cover design but fitting the precise dimensions of your print vendor as well so that it all looks good and is legible.

Configuring a custom template before downloading the result for further use is easy within CreateSpace and even comes with instructions for filling it out:

My blank template, configured for the number of pages (determines the spline width), interior color configuration and the paper color looks like this:

Just to be clear, I’m no expert. I’m just a self-publishing author stumbling his way through this process, one step at a time, wishing to share nuggets of experience that might prove of use to others.

After filling in the template, overlaying it with image and text layers in PhotoShop, below is my feeble attempt at a front and back cover with an appropriate spline:

Note how there is no part of the original template and its guidelines visible. Also, observe how I’ve avoided the lower right corner of the rear cover where the ISBN and barcode are to be printed. I reduced the opacity of the image layers to 40% in PS while resizing them and the text (so I could see the guidelines underneath) to fit the template.

Edit (3/8/2020): Well, in testing the cover above with my beta readers, guess what? You won’t be surprised…

This cover sucks!

More than a few of you told me this cover looked amateurish, but more importantly, the title turned off more than a few readers. Same with the back cover text. SO, I retitled the book, went through a few iterations of covers, rewrote the back cover copy (text) MANY times and asked fellow authors for feedback. This was great!

But I found I was spending more time on this cover than I cared. So I broke down and hired the pro cover designer used by my friend, Nick Russell (New York Times best selling author and top Amazon bookseller). Turns out Elizabeth Mackey is the same designer my mentor Judy Howard uses! This entire process was time and money well-spent by listening to my author friends and most importantly, to my readers. Thank you, all.

The moral: Test your cover. You have about one second to capture your prospective reader’s attention. You damn well better have a good cover, or no sale. Test your book description. Assuming your one-second shopper turns your book over, or clicks on your cover, you damn well better feature a dynamite description, or bye-bye reader!

Check it out. Nice, huh? This book became the first in my Dream Runners series:

DD 6x9 cream 362

And since I originally posted this article, I’ve written and am about to publish the second in this (Dream Runners) series. Notice the branding consistency with the first book above (theme, look and feel, design)? Available in 2020:

FD Cream 358

Cool, huh? Note that I had to save the image out of PS as a JPG in order to include it in this post (PNG or PDF not supported in this blog), but the print vendor does indeed require a PDF. Aligning all the text, and rotating some for the spine took a bit of time, but this should meet all the print guidelines for CreateSpace.

Edit: 3/7/2020 (continued): CreateSpace is no more. Now it’s just Kindle Direct Publishing (KDP), and here are KDP’s current print guidelines (and they’re finicky).

I imagine other POD vendors may differ, but this is one example.

If you have any thoughts on this design, I’d very much appreciate your comments.

With pen in hand,

GK (but you can call me Gene)

This meme reflects my vision of what a 5×8″ format of my book might look and feel like.

 

 

P.S. I’d be honored if you’d consider following me on Twitter or FaceBook. Thanks.

The great thing about libraries is you get to read books that you don’t own. Another benefit? You get to evaluate books you might want to own if you like them. One example of the latter is “Edit Yourself: A Manual for Everyone Who Works with Words” by Bruce Ross-Larson.

“Edit Yourself” is a good reference for those who would like to peer into the mind of a copy editor. Unfortunately, to my knowledge, since the latest edition of this book is from 1996, there are now several apps that do most everything this book offers and more easily than looking within the pages of this handy little reference volume.

But if you’re old school, this book itemizes lists of things an editor might trim, change, or compare, such as:

  • Trimming the fat,
  • Choosing a better or more appropriate word,
  • Reordering a sentence for optimal effect,
  • Ridding your manuscript of dangling constructions,
  • Using the optimal voice (passive, active),
  • Creating effective parallel constructions in sentences,
  • Driving for consistency in your prose.

Examples of the good, bad, and ugly are offered in alphabetical order for easy look-up. So lacking a smart device app to search for your problematic word, phrase, or sentence, this little 107-page volume might be just the reference you might find useful.

I recommend this book who may not have a computer, phone or tablet app that performs a similar reference function. My two favorite apps for this purpose are ProWritingAid and Hemingway.

With pen in hand… Gene

GK Jurrens

I hate studying grammar. 

But I am fortunate. I possess some natural proclivity for not screwing up grammar too egregiously.

Equally fortuitous, there are tools such as AutoCrit, ProWritingAid, Grammarly, and Hemingway that pick up the load where my feeble knowledge—and the desire to memorize sundry grammatical structure—atrophies.

Plus, I can always task my favorite new online search engine, “DuckDuckGo” (doesn’t track and micro-market like “Google”), to seek answers for my grammatical questions; but, that first assumes I am aware of what questions to ask.

So why the heck am I reading a book that at first blush I thought used its title as a “bait and switch”? I wasn’t counting on a deep dive on boring grammatical constructs. Even the table of contents promised treatises on stylistic decisions and in which verb tense I should write my fiction. It also promised to teach me how to format and punctuate dialogue, as well as options for portraying characters’ thoughts and common errors to avoid. You know, the good stuff. But when I got into the meat, much of it tasted like boiled chicken. Just another boring book on grammar.

My first reaction to the book wasn’t great.

Who in her right mind wants to memorize verb conjugations or the proper use of modifying participial phrases? And speaking of modifiers, can somebody please tell me why I should care about prepositional phrases? Or subordinate conjunctions? Or adjectives and infinitive phrases And forbid I should ever transgress the laws of grammar by using a split infinitive.

In a word, “Boring.” But don’t stop reading my humble book review yet! “The Language of Fiction” has a few surprises of value in store…

Then I bit into bigger bites and became hungrier. How the author explained this boring stuff in and around the promised tidbits of style got me reflecting on my writing style. Constructs I assumed were correct were rookie mistakes. Maybe not as many as most writers, but I strive for perfection. Or at least I wish to sneak closer to it. I’m no literary giant, may never be, but I don’t want you informed readers viewing me as an oaf either. I keep returning to that adage, “you need to know the rules before you break them.”

In retrospect, instead of skimming the book I didn’t think I had selected, I re-examined its major structure. Part one: stylistic decisions; part two: fundamentals of language; part three: nuances of punctuation; part four: common errors. Okay, so I gave the book another more serious look. Guess what? I got hooked. Like so many things in life, if you observe with care, you’ll see more good stuff. Just must take the time to… listen.

I identified numerous errors in my “polished” writing from the book’s examples. It became a troubleshooting guide of sorts. Two problems. First, I don’t have a great memory. So in order for me to maximize value from this book, I need to re-read it many times to burn it in, to highlight, to scratch out margin notes, and to dog-ear a bunch of pages. Since I had checked this book out from my local library, none of that was possible. Second, I live in a bus-style motorhome, so I have little shelf space for reference books in print. I guess I must add it to my soon-to-be-overloaded eBook reference shelf.

Criticisms aside, I found Brian Shawver’s treatment of what could be a boring subject humorous. Dry wit. He offers useful explanations with examples that brought some more subtle aspects of this subject to life for me. Well done, Brian.

I  found the chapter on the often maligned adverb especially useful, this “sad little modifier”. For example, like so many other grammar experts, Brian didn’t just say, “avoid adverbs,” unless being threatened by terrorists (Shawver). Or that their use is a mortal sin (Leonard). Or “the road to hell is paved with adverbs (King). I learned that while there are many reasons to avoid, or at least limit the use of adverbs (timidity/redundancy, less is more, sound and rhythm…), there are also good reasons I and other great writers (!) should use adverbs, but with restraint in the “delicate art of modification”. I found this excellent treatment of adverbs a useful gem.

Well, that’s about it. This looks to be a useful reference. The only reason I didn’t rate it higher was its slow start and rather wordy explanations of some more boring aspects of grammar for this short-attention-span reader. I wandered and sometimes wondered whether I would read on. And if Shawver reads this humble book review, I’m sure he’d find countless subtle rules of grammar I’ve broken. I promise my continuing studies will find me following the rules with greater effect. And with luck, following these rules will not reduce the readability and entertainment value of my narrative.

I’d remind us all, however, that as Shawver states, “I am a writer; nothing in language is off limits to me.” I would just add that readers like you forgive such transgressions as long as you are entertained. Who’s with me?

So, dear readers, I recommend “The Language of Fiction – A Writer’s Stylebook” as a useful reference for serious authors on the subtler aspects of fictional style. Note, however, it is not a beginner’s guide to writing fiction. More of a graduate course.

With pen in hand… GK (Gene)

Starting out, many of us didn’t understand the value of an “Amazon book ranking”. Not sure I do yet myself. I’m still learning fast, and trying to pick up the pace!

I do know a higher ranking is better than a lower one. It means more visibility to my debut novel so more potential buyers know it’s there.

Among other factors, a ranking trend can be a useful yardstick to measure the effectiveness of actions I’m taking to improve the visibility of my book in this important bookstore. And more critical, this ranking trend helps me gauge how my author’s brand is coming together (or not).

This yardstick gives me a measure of what is working, and just as critical, what is not working. Remember the old schtick, “If it hurts when you do dat, den don’ do dat.” 

Check out this chart as a concrete example with my latest novel as it’s subject. And if you don’t care about the rankings or my little case study, just buy the book here and we’ll both just jump straight to end-of-job.  🙂

See? I’m even promoting my latest book here to y’all… shameless, I know 😉

Amazon has its critics, but for a newly published author, I’m finding their support very useful, their AuthorCentral web site is but one example.

Now I’m still not a top-ranked author among some 4,500 new titles introduced daily, but I can see that I’m taking some actions that are increasing the visibility of “Tarnished – Surviving the American Dream”So as I spend personal time marketing this book, I can see the fruits of my labors (or the lack thereof).

My own case study… in the last month, I:

  • Made an important observation: Upswings in ranking directly correlate to the intensity of my efforts over the course of even just a few days. Lots of effort, the ranking swings upward. Lack of effort = the opposite! Pearl of wisdom? Gotta be “out there” every single day,
  • Ensured my author web site automatically publishes my posts from there onto Twitter, LinkedIn, and Facebook (my author FB page, not my personal FB page – I’m attempting to separate the two agendas),
  • Produced a steady drum-beat of book promo tweets on Twitter, and have just recently started also to do so on my Facebook author page.
  • “Kept the buzz going” on my Twitter feed in a few ways:
    • I use CrowdFire (their free version) to select and schedule Tweets with links to articles & images of interest to my followers based on my profile. From that list I chose what to share on my own feeds. If you subscribe to CrowdFire’s paid version (around $10/month), you can share more and schedule your tweets with more flexibility (for your international followers in different time zones, for example,
    • I curate a daily newsletter for writers of fiction using automation from paper.li and publish on my Twitter feed. Occasionally, I’ll post a recent addition to my Facebook or LinkedIn feed. Unfortunately, the free version only allows me to post it to one feed every day, so I post it to Twitter. The paid version (~$10/month) is more liberal (multiple feeds, more formatting options…). “Curate” is a fancy word meaning the paper is produced automatically based on a few hours I spent setting up an article selection profile. I review these editions to ensure my intentions are being fulfilled on content of value to authors of fiction.
      • My WFD (Writing Fiction Daily) newsletter, tagline, “Make. Believe. Better.” has been very well-received. It costs me nothing to produce, just a little time. As an example, check out today’s edition  here,
  • Offered other specific content on Twitter and on my author web site that I find useful and of value to other authors,
  • Ran a five-day promotion for my novel on Amazon offering “Tarnished” for free (got me close to #1 for that period!)  😉 and posted on my blog a preview of the book, including one scene not included in Amazon’s “look inside” preview feature,
  • Increased my visibility on Goodreads by reading lots of non-fiction books on the craft of writing and offering reviews. From that, I was rewarded with more Goodreads followers and my book appeared on a few more TBR (to be read) lists,
  • Joined the Goodreads Author Program, linking my name and books to bookstores, my email address, my author web site and Twitter account. This is where I also declared proudly that I am a self-published author,
  • I’m not sure it is 100% within Goodreads’ guidelines, but as I acquire new followers on Goodreads, they suggest I make book recommendations to these new followers. Beside recommending some great non-fiction books on writing that I’m currently reading, I also suggest they might find my own book worth considering as well,
  • Increased visibility of “Tarnished” snagged me a few good reviews blogged here, and in turn, they automatically were posted to my Twitter and Facebook feeds,
  • By placing the manuscript of my next novel (science fiction thriller, working title, “Sanctuary 2.0 – the c-dub”) with over a dozen beta readers from around the world, whenever I send the manuscript to them, I include a link to the purchase page for Tarnishedto these beta readers of my next book, of course,
  • Created and have been regularly posting (on Twitter, FB) a few memes I created to publicize “Tarnished” using Photofunia.
  • Created a FaceBook Author Page, although that’s so new I can’t imagine that has changed the rankings, but it’s yet one more investment in my online brand,
  • And of course, I take every opportunity to “pimp my ride” in personal conversations.
  • Made myself available for an interview in December by Ms. Fiona in the U.K. Who knows? Shortly thereafter, I noticed an up-tick of followers on Twitter from that part of the world, and TweepsMap shows that now almost 17% of my Twitter followers are from the U.K. (up from less than 10% in December, 2017). I’m convinced that interview was at least partially responsible. Thanks, Ms. Fiona McVie!

TweepsMap

Of course, there is much more that I could be doing, and I will:

  • Greater presence on Instagram,
  • Invest in a hosting service and my own domain for my author web site with a better design, an automated email subscription service, and upgrade from wordpress.com (consumer) to wordpress.org (business) using a premium template,
  • Increase the credibility of my author brand by entering and winning some writing competitions and maybe some freelance articles like I’ve done in the past. Right now I’m pouring through my new version of “Writer’s Market 2018 Deluxe Edition” (hard copy) and the WritersMarket.com web site (a one-year subscription included in the deluxe edition of the book at Writer’s Digest Shop) for such opportunities,
  • Invest in further automation to further increase my presence (as book sales justify that investment),
  • Other? Heck yeah. Gobble, gobble. Onward!

Well, you get the idea. Establishing an author’s brand is a jigsaw puzzle that takes time to assemble and time away from writing, BUT what’s the point of writing if nobody reads it?

With pen (still) in hand, and beating the big drum, GK (Gene)

Okay, I learned a valuable lesson yesterday. Amazon said they wanted to pay me for book sales to date, but there was something wrong with my electronic funds transfer registration. Don’t make the same mistake this rookie author made in setting up an account and EFT with KDP (Kindle Direct Publishing) so I could get paid for sales of my debut novel, “Tarnished – Surviving the American Dream.”

Here’s a short but important checklist for you if you’re not already veterans of this process – not complex, but exacting (as it should be):

 

 

  • Set up your account with KDP – see directions here,
  • You’ll need the following available before you start:
    • the name of your bank,
    • your account number (for EFT destination),
    • your bank’s ABA (routing number),
    • the exact name on your bank account (not your author’s pseudonym)… I erroneously specified my pseudonym (GK Jurrens) instead of my full legal name on my bank account… oops!
    • and here’s also where I screwed up… you must specify in which markets (countries) do you wish this KDP account to pay you. I hadn’t selected these before saving the information, so it couldn’t connect my book sales to my bank account.
  • And don’t forget to click on “Save”!
  • That’s it. Not complex, as I said, just exactly, so proceed carefully so you too can get paid for all your hard work!

Alright, so now you know for sure that I’m not perfect, lest there was any residual doubt.

I pass this rudimentary information along in the hopes that it might be of value to a few of my fellow authors.

With pen in hand, GK (Gene)

Authors will be forever in your debt if you read their books.

We treasure every reader like a politician treasures a vote… more so.

And you’ll walk on water if you post a review of our books. 

But if you give us a 5-star review? Oh, you better jump back, Brothers ‘n Sisters, ‘cuz now you have a friend for life! Well, at least until the next book comes out.

Of course, who doesn’t love to share good news?

“Tarnished” is selling! Not gangbusters because I’m still a relatively obscure author. Aw, who am I kidding? I’m still full-on obscure, but that won’t last forever, and I’m having the time of my life.

Now here’s the really fun part. I’m starting to get a few reviews filtering in. I’m thrilled. Could always use more (hint!). A few readers are weighing in on “Tarnished – Surviving the American Dream”

  • “Quite the page-turner. The author paints vivid pictures of exotic situations, keeping the reader in a state of suspense. I found the (sky) pirate Calvin of particular interest – one of a number of characters who are so much more than they appear to be. I look forward to the next book and the future adventures of George Janis and Kate. Well done!!” -DS on Kobo (5/5 stars)

  • “Great read. Looking forward to his next book.” -BW on Amazon (4/5 stars)

  • “I loved hating Dent Canfield. Still, I felt sorry for him as he transformed from a lovable geek to a capable spy to a nasty sociopath, and ultimately to a vulnerable Patriot. You nailed your characters so well that I missed them after finishing the book. Can’t wait for the next one.” -LA (anecdotal)

If you wrote one of these, thank you!

So spread the word. I’m trolling for reviews. And if you haven’t picked up your copy yet, you can get it here.

Yes, I’m very excited!

With pen still in hand… GK (Gene)

Promo Week Preview!

As I mentioned in an earlier post, this is promo week. My newly released novel, “Tarnished – Surviving the American Dream”, is free, this week only!

Get your copy here if you’re in the US, and here if you’re in the UK. Live elsewhere? Please use one of these two stores. After the promo, dozens of other countries are supported worldwide. Thanks for understanding.

Still not motivated to grab this thriller from Amazon at no charge? As a further enticement, below is a sneak peek at a couple of scenes not in the “Amazon look-inside” preview.

Context: Early in the story our protagonist, George Janis, wrestles with his personal demons. They wear the faces of those poor souls’ lives he’s ruined by firing them. One turns out to be a psychopath bent on vengeance. Warning: this is a graphic horror scene, one of the few in the book, but demonstrates the depth of two characters, one of whom isn’t identified until later:

Clutched again in its grip, that dream, his personal coffin of despair, embraced George naked and trembling.

My ears ring in the profound silence. It smells musty wherever I am. How did I get here? The clinging blackness is the most terrifying of all. It feels like I’m buried alive, smothering in an all-consuming claustrophobia. How can this be?

Am I finally insane? Is there at least a shred remaining of who I thought I once was? Or is God finally pushing me over the edge to the hell I know I deserve?

Blinking my eyes, again and again, I try to chase away the ocean of guilt within which I’m drifting. It isn’t working. Worse, much worse, I’m unable to move my arms or legs. I remember often waking up in places with no memory of how I got there. Have I relapsed? No, this is no drunken blackout. Am I drugged? Possibly. Or am I now a permanent prisoner of my worst nightmare? Have I gone utterly and completely mad?

It seems my sense of smell is also mostly arrested, but pain and pressure are not. I’m experiencing waves of pain. There is both old and new pain. Something jars my entire body with violent resolve. Over and over again. I know I’m being lacerated with deep sweeping strokes.

“Remember me, George?” A cold and bitter voice laced with slivers of ice. “Remember how you ripped my heart out, and dumped on my soul, claiming you were just doing your job, you asshole? Remember what that cost me? You never knew or cared. It matters not. Tonight I return the favor.”

That voice…

His box cutter—a rusty and scarred blade, from his grim narrative—protrudes from a scratched gray metallic handle. It glints with a dull gleam in the ethereal glow of my imagination as it drips with… what?

“I need you to know what’s happening here, George. First, let’s be clear. You are about to die. Before you do, though, we’re going to have some fun. There… feel that? Ouch, that’s gotta hurt. Well, I suspect it’s too soon for you to feel much, but we’re getting you very wet, aren’t we? Feel that, George? That’s your filthy life dripping onto this dirty concrete floor.”

This madman continues to describe what is happening in a professorial tone. As he does so, his chipped blade drives through the delicate skin and the rough two-day stubble on my neck. As my nerve endings come alive, they give voice to my terror, as does the embarrassing stench of my bowels involuntarily giving up.

Oh God, I’m conscious and aware. And so very helpless. I’m drowning in waves of nausea and disgust. My head is lower than my body. Why? I struggle to comprehend and accept what is being done to me. Hearing only pieces of a grisly monologue, I am now aware of a taut blindfold that covers my eyes and nose. Not that it matters anymore. It does explain my lack of sight and smell, except that coarse heavy cloth… is that the stink of vomit? Mine?

I’m aware of the puddle spreading near my genitals—urine, or perhaps blood. I can hear whatever it is dripping, then splashing, onto the floor beneath the table.

“George, are you still with me? Let’s find out how much of a manipulator you are with no fingers. Feel that? …I’m sorry my trusty blade isn’t sharper.” A guttural snicker overlays the insistent crunching of bones and cartilage.

“One down, nine to go, asshole. Eight… seven…”

I can neither speak nor scream because of something large and round and fuzzy in my mouth. Is this an old half-bald tennis ball? It is crammed so very tight into my hyper-extended jaw. It presses so hard against the back of my front teeth that I’m sure they’re about to break. With the taste of my gums bleeding, my tongue is bunched up behind that awful ball. Some sort of tape is wrapped recklessly around my head and through my beard and hair…

“Are you ready now, George? Say hello to the devil for me, you sod.”

I feel what is sure to be the killing stroke of that blade drawing hard across my neck and throat. I can feel it severing what must be my windpipe and jugular as my breath gurgles and whistles through the cuts. The shock of that moment dances through my mind with lightning clarity.
It is still too soon to feel much pain, but I know the blade has achieved its highest purpose. It jerks my head and neck sideways, more than once. I think, Why is he still tearing into me? Lord, are you still there, after all these years?

George jolted himself awake as if tased. Of all his dreams, he only ever remembered this one. Covered in sweat and soaked in fear, he forced himself out of bed and showered to wash off the memory of all that blood and viscera.

 

Context: Later in the story, an American covert operations team, twelve strong, orchestrates a retaliatory strike deep into Mother Soviet Russia, below the radar. Under orders of US President John W. Stevens, they are to “make an unambiguous statement to foreign actors who have chosen to mess with our American election process. Rules of engagement: minimal casualties.” They are about to attack a troll hole with a hundred or so “disinformationists” inside:

October 2008

Novye Cheryomushki, Russia

Security outside the institute at Nosy Cherry was heavier than anticipated. This was no private team of rent-a-cops. These guys were hard-core Russian regulars. Derek guessed Spetsnaz, elite troops of special purpose from Russia’s Main Intelligence Department known as the GRU.

They made American special forces look like candy-asses by comparison, if you were to ask one of them. Same sort of training, but rumored to possess zero ethical boundaries to restrain them–only love for Mother Russia and unconstrained hatred of her enemies.

Their special purpose was killing efficiently, without mercy. This seemed overkill for nerd guard duty, Derek thought. Somebody was serious about protecting this facility. There were six that he could see. Perhaps more inside. This was not good news.

The team spent the next ten minutes patiently observing the funky facade of this building in the heart of this dilapidated industrial district. Every member of the team knew time was of the essence, but impetuous action at this stage of any mission invariably foreshadowed failure.

A few nerds sauntered up the wide stairs between columns and entered. Each was challenged by one of the stationary guards with the other looking on, weapons at the ready. Nobody exited. The few women they saw were young, plain, and unadorned.

“Darla, got any makeup with you? What am I saying? Of course, you do. Thank God you speak decent Russian.” Derek grinned. She smirked, a non-verbal “kiss my darling ass” sort of expression. She could put down half the guys on the team between applying lipstick and delivering her kiss of death.

“Okay, go time. Darla and Mick, decoy.”

All knew their assignments and moved into position.

It had taken Darla ninety seconds to look hot enough to tempt a eunuch. Mick looked goofier than a gold-plated ruble. She led the way, he trailed behind, bashfully.

As they neared the two grizzly monsters at the institute’s front entrance, Darla smiled playfully and asked for help adjusting her backpack precisely where it compressed one ample bosom begging to bust out, barely constrained behind several truant buttons on her split jersey top. The two guards closed in like starving wolves on a raw ribeye.

Mick was still half a dozen respectful paces behind but closing fast, appearing fearful of the weapon-toting wildlife. She provocatively shifted her right boob upward and inward with the palm and heel of her right hand where it was being compressed by the strap of her backpack… they didn’t notice Mick’s surreptitious scan for other roaming guards.

In seconds, both guards were down hard with killing blows that drove their nose cartilage into their brain pans with the heel of the operators’ hands. Darla, one. Mick, one. Guards came in dead last.

They dragged the bodies behind the huge ornate columns just outside the eight-foot-tall double entrance doors at the top of the steps and scavenged everything useful.

Four teammates, including Derek, rushed to reinforce Mick and Darla before they entered the facility and fanned out. Classic two by three offensive formation through the wide double-doors. Derek had directed Flack Jackson to lead the six remaining team members to lay in ambush. Objective: decommission any other roving guards currently elsewhere on the grounds.

Not much cover once through the doors. A triple-burst echoed through the antechamber. Mick spun off his feet. More shots—another triple. Derek neutralized the shooter with a single shot from one of the guard’s captured rifles. All fell silent.

Mick arose and sheepishly shook off a flesh wound to his right bicep, but winced in pain after a grateful nod to his boss. Darla assessed the wound in less than five seconds before lightly punching it. Mick winced again. She grinned at him good-naturedly and said, “Pussy.” He grinned.

They fanned out. No more guards inside. Flack rushed in less than a minute later while Derek was slapping a compression pad on Mick’s arm. After grinning at the sight of only one corpse, the opposition’s, and just a bit of blood on Mick’s sleeve, Flash quickly reported, “All guards outside down and concealed, all external phone and computer cables cut, both SUVs now parked nearby, noses out. We have no gear to jam wi-fi or cell signals, though.”

Before tending to Mick, Derek had peeked through a set of ornamental ballroom doors and now said, “Copy. Bring in the rest of the team. We’re gonna need lots of hands.”

Entering a huge hall, divided only with chest-high movable partitions to create a gigantic array of small modular offices, sat a crowd of petrified computer users. Dozens of deer in the headlights. Nobody had dared leave their chairs after the shots rang out. The only operators here were keyboard operators. Some ducked and stayed down. These people, the nerds, were genuinely terror-stricken. Flack and Sanchez, another teammate, visibly dragged the exsanguinated interior guard by his armpits. More than half his body was drenched in blood from a pumping arterial wound. Half his neck was gone. The captured guard’s rifle must have chambered hollow point rounds. This poor schmuck’s bloody corpse was a billboard declaring, “Don’t even consider messing with us!”

Within seconds of entering the room, Darla screamed a guttural warning, almost masculine, definitely chilling. “Ruki v vozdukhe! Teper’! I derzhite ikh, ili vy mertvy!”. Derek wasn’t sure but thought Darla’s command of the Russian language must be pretty good because he saw a forest of arms shoot straight up and stay there, all at the same instant. He didn’t know she’d been privately rehearsing that line… “Hands in the air! Now! And keep them up, or you’re dead!”, and couldn’t wait to show it off.

Without another word, they rapidly searched pockets and drawers for cell phones and anything else that looked capable of calling out or signaling. Before leaving each cubicle they efficiently zip-tied hands and legs.

Since Darla was the only one who spoke passable Russian, the others agreed to pantomime their directions by holding a pistol finger to the center of each captive’s forehead (without pulling the “trigger”) while shaking their own head side-to-side during the restraint process. Then that same gun finger transformed to a hush-hush finger in front of their own puckered lips. The message was clear: you won’t be killed if you just keep quiet.

Most bobbed their heads up and down eagerly. They hadn’t signed up to die. So they laid on the floor of their cubicles, quiet as a pulverized pager. This process took longer than expected. The second hand on the clock was moving entirely too fast.

Several rack-mounted servers sat humming in an unpartitioned back corner at the far end of the long and narrow hall with high unadorned ceilings. While the crew secured the nerds, Derek calmly but quickly pulled a handful of compact hard drives from their racks and stuffed them into his U of M backpack before deploying rudimentary fused charges they’d extracted from their luggage on the drive South.

He also found a couple of newer Toshiba laptops on what appeared to be the desks of supervisors near the server farm. One had a flash drive, a memory stick, protruding from its side. The laptops and stick went into his backpack as well.

They had also agreed to leave a few subtle messages behind. With only a little discomfort from his injured arm, Mick made good use of two small aerosol cans of spray paint that had not been confiscated at the airport.

The team then assembled by the entry door waiting for Derek who had the honor of lighting several fuses with his inexpensive Zippo-clone lighter. He took just a moment to admire Mick’s crude but taunting graffiti: PB Sucks! and DU Forever! and Mess with the Best! Those would only be understood by higher pay grades. That would take time. Perfect. There was even a drawing of a hand with a particular gesture, the meaning of which anyone could instantly recognize.

As they sped away, kicking up the driveway gravel, they were rewarded with a rapid series of satisfying WUMPs behind them. The clock was still ticking, still way too fast. They had been at the site for almost an hour.

They reached the airport in their stolen SUVs less than ninety minutes later; however, the security lines were lengthy. The tension was escalating, even for these experienced operators. Time continued to be their most deadly enemy.

Derek had disposed of all but one compact hard drive, one laptop, and a memory stick en route. More would increase the risk of exposure. One or the other might contain useful intel.

The laptop was easy. It was such a common item that its presence in Derek’s student backpack went unquestioned through the X-ray. The more unusual naked hard drive, however, wasn’t easily concealed, so they’d agreed to also just hide it in plain sight in Darla’s backpack. She’d claim that it was in her pack when they entered the country, part of her studies at University in America.

This ploy worked, partially because of a long line of irritable passengers behind them, impatiently shuffling, and partially because of Darla’s winning ways. She playfully scolded one of the TSA-type security guys, “Privet! Moi glaza zdes’!”, which roughly meant, “Hey! My eyes are up here!” And oh, that sparkling but lethal smile.

The memory stick went undetected.

Twenty minutes later, their old Boeing 717 emblazoned with the fictitious moniker of BridgeCraft Charters was granted clearance by Departure Control, en route to St. Petersburg. Moscow to St. Pete was an extremely popular sixty-minute flight for tourists. Number three for take-off, they spent less than ten minutes on the tarmac before lifting off. All seemed normal. So far so good. Until…

 

Enticed yet? Lots more. Get the eBook. Read it on your Kindle or any device (tablet, phone, laptop, desktop…) with the free Kindle reader app on the Amazon page.

After reading the book, I’d be very much in your debt if you’d post a brief (or long) review on Amazon. Fair enough?

Thanks, team!

With pen in hand… Gene

http://www.twitter.com/gjurrens1

This week only I’m offering a promotion on Amazon for my novel, “Tarnished – Surviving the American Dream” free through this Sunday only.

Don’t wait if you think you’d enjoy a well-written biz/covert ops/political thriller. I’d like to think I’ve paid homage to a couple of my favorite authors: story intrigue from Vince Flynn and writing style from Dean Koontz, but that’s just me.

So if you’re curious how a normal Midwestern guy from the wrong side of the tracks can grow up to be a successful businessman and help save American Democracy, this should be a fun read for you, even with more than a few dark twists.

Claim your copy here if you’re in the US or here if you live in the UK. If you’re elsewhere, please consider claiming yours from one of these two stores. After all, it’s free (for now).

All I ask in return, dear reader, is that you post a brief review of the book on Amazon after you read it. This starving author appreciates stellar (five star) reviews, but vote your gut. I trust you. Well, I’m not really starving, but I always appreciate a little help from my friends.

Thanks, and enjoy!

By the way, as a disabled American Veteran, I support the DAV organization. Do you? If you don’t but would like to start now, please consider clicking here to make a small donation. Support the young men and women who protect you, no matter where you live.

With pen in hand… Gene

www.twitter.com/gjurrens1

 

 

 

 

I’m delighted to report that the manuscript for my next novel, a young adult science-fiction thriller, is nearly finished. Right now, the working title is, “Sanctuary 2.0 – the c-dub”.  I thought I’d share with you its premise, and you decide whether it’ll be of interest to you when it’s published.

I’d like to think the recipe for this story and its characters contains a hint of Orson Scott Card (“Ender’s Game”) with a pinch of Dean Koontz (“Odd Thomas”). But hey, maybe that’s just my wishful thinking.

I’ll be sending out query letters to prospective agents soon, planning for the worst (a collection of rejections), while hoping for the best (a contract with favorable and flexible terms). For now, I’d be delighted to land somewhere in between (a full manuscript request).

Your comments are welcome, and I could always use a few more critical beta (pre-publication) readers on my street team, so if you’re interested, please let me know.

 Daniel Morrissee, known as SeeMore online, sees everyone’s future, all at the same time, and it’s too much. Others call it a gift. To him it’s a curse that threatens to steal what’s left of his ragged sanity. At sixteen, he joins Corporate Security Services. They throw him into combat during the Corporate Wars of the 2060s—governments are obsolete. Losing portions of both legs three weeks into his tour dumps more fuel onto the bonfire of SeeMore’s madness. But he refuses to give up. 

A few tortured years later, he invents a technology that enables him to live in a different world. SeeMore calls it his Cyber-World, the CW, or “the c-dub”. Neither his legs nor the rest of his body matter anymore, and he can filter his runaway mind. 

Overnight, with his new tech, he learns how to control the madness. The excruciating noise screaming at him from all directions becomes his to command. With pictures of the future in his mind under control, SeeMore is unique and in demand. He puts those tools to work.

Then he meets Mysty Brass  who is bombarded by everyone else’s thoughts in the present moment. His technology saves her life. They fall in love, hire more geeks like themselves, and their c-dub company becomes a runaway success. 

Powerful people seek to destroy their new life. Why? Because SeeMore and those around him are different and they’re becoming influential. These people fear anything they can’t or won’t understand. SeeMore takes an impossible stand to defend their home—their sanctuary, the c-dub.

Worse, their planet is dying and the c-dub that SeeMore and his friends are creating might become a sanctuary for all humanity, even for those who seek to destroy them. But will they survive long enough to complete their dream? If they do, can they save humanity from itself, and the world on which it perches?

Here’s my latest stab at a cover design:

sanctuary 2.0-2.jpg

I’m experimenting with different memes as well. Here’s one that might reflect the mood of the story, but an agent, cover designer, editor or publisher might have different ideas. We’ll see:

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So what do you guys think? Give me a holler! And an author shout-out for gjurrens1 in the Twit-verse is always appreciated.

With pen in hand, and already tired of ruthlessly editing my own cherished narrative,

Gene

Signature the good oneIMG_9552

Re-Inspired

If you were in a car crossing the Caloosahatchee River Bridge at nine AM last Saturday you might have been startled by a noisy nine-foot-long red motorcycle screaming past with a Levi-clad old guy aboard just enjoying the wind in his ridiculous white beard; you might never have guessed it was me heading to a reading festival. The beautiful morning afforded me a delightful early March ride down to Ft. Myers, about forty minutes south on US41 to attend a long-anticipated event. As a native of Minnesota, I took great guilty pleasure in this warm Winter experience. I was escaping.

“Writing is easy; you just sit down in front of a typewriter, open a vein and bleed.”  – Red Smith, one of the greatest sports writers of all time.

I am wading in the tedium of final editing. My second novel, “Sanctuary 2.0” is a taxing work of science fiction of near-epic length (for those who know me, you’re surprised, right?). I needed a new source of inspiration and a good excuse to escape my cell.

The Ft. Myers library campus was the perfect venue for this impressive reading festival.

Inspiration comes from many directions. Last weekend I found it listening to several acclaimed authors at the Southwest Florida reading festival, the largest one in the state.

There is nothing like hanging around bestselling authors to convince oneself that writing doesn’t only have to be an exercise in futility and self-flagellation. There is also great joy.

How can you not be inspired listening to the likes of Sue Halpern who is not only an accomplished novelist and journalist (she writes for the New Yorker and freelances for others), Sue was the very first female Rhodes Scholar. Plus she’s an entertaining and personable speaker.

Jillian Medoff and Sue Halpern entertain and answer questions. And they seem like such normal people!

One of Jillian Medoff‘s books, a national bestseller, was made into a Lifetime movie (“Hunger Point”) and you wouldn’t know it to hear and see her, but she claims she’s filled with rage when she writes her poignant but humorous tales of corporate insanity.

Other NY Times Bestselling and Notable authors at the festival included the fabled Scott Turow, Carla Neggers, J.T. Ellison, Jessica Shattuck, and Michael Hall, a talented author of children’s books.

Many other authors, most available for book signings, comprised an inspiring dance card.

The Ft. Myers library is impressive as are its grounds. Hundreds of avid readers and writers and future authors gathered to enjoy the beautiful day outside the library. Tents and kiosks festooned the six acre campus, and that entire city block had become a celebration of storytelling, of books, of reading and of writing. There were even a dozen or so street food vendors represented—the atmosphere smelled similar to a county fair but… quiet. Except for speakers in tents with the volume of their public address systems dialed to “civilized and appropriate.”

Storytellers took their turn in one rapid-fire semi-automatic (!) burst of entertainment after another. Magical, and peaceful. Nobody died in real life during the execution of this festival…

Since children’s books command nearly half of the publishing market these days, their authors and booksellers were well-represented. Storytellers wove their spells, authors signed their books, and children engaged in dozens of activities to spark their inner authors or their desire to read.

Further, just steps away, I found the research staff inside the library knowledgeable and helpful. Bonus!

In all, a Saturday at the library paid off for this aspiring author and erstwhile scrivener.

With pen in hand, and another half-dozen tomes tucked into my saddlebags,

GK